

#canyoufeelyourbody is a participatory performance inspired by social media scrolling.
What does it feel like to be truly stuck — with someone, in an endless scrolling session, in spirals of thought? This 25-minute dance duet explores layers of skin, glitch, and sensation, questioning what happens to a body in the age of social media feeds. Two dancers repeatedly embrace, strike, and collapse into one another, accompanied by a digital sound score that mimics the sonic landscape of an Instagram feed. They wear black latex costumes that make them cling together. The piece is conceived for the grand hall of the Märkisches Museum Witten.
At the beginning of the piece, the audience generates an initial acoustic impulse by loudly scrolling through their own social media feeds, making the digital environment physically audible in the space. From there, an independent sound collage unfolds, inspired by the rhythm and texture of an Instagram feed. A third sonic layer emerges from the latex costumes worn by the performers: contact, pressure, and friction become amplified, creating a tactile soundscape grounded in the body itself.
As the dancers navigate these intersecting auditory environments—real scroll sessions, algorithmic noise, and the raw materiality of latex—the performance traces moments of overwhelm, sculptural stillness, and disorientation. The feed becomes a stage on which the question of bodily presence in digital saturation is played out.


Loveletters as Movement Donations - From Physical to Digital and Back Again
Installation at Wiesnviertelfest
Participants step into the installation and give a signal to the camera, donating a movement in the form of a love letter to someone important to them. Only the motion data—not the video—is stored. These data are later translated back into physical bodies through dance. This research is ongoing, we are currently translating the movements from digital back to physical.


Research
The piece was created through three artist_holiday[] residencies in Witten (2025), each shaping a different aspect of the work.
Residency I — Algorithm and the Body The first residency focused on research and ended with a work-in-progress showing in the Märkisches Museum Witten. Here, Julie and Anna explored how algorithms and the sensing body relate to the sculpture Migof by Bernard Schultze — and how these two worlds meet and resonate in 2025. This phase opened questions around digital logic and bodily presence.
Residency II — Material & Movement The second residency continued this investigation, introducing latex as a material for clothing. Its behaviour — sticking, stretching, tearing apart — became a key influence on the movement quality and created an embodied sense of friction and dependency. The sound of the latex gluing and ungluing acts as a second layer of skin.
Residency III — Choreographic Collaboration In the third residency, Mariana Fagundes joined glitchbodies as a collaborator. Together with Anna and Julie, they co-created the choreography for the duo, refining mechanisms of counterweight and co-dependency and grounding the piece’s core questions within a shared movement language.The Premiere was on the 24. October 2025 in a Vernissage of the Märkisches Museum.
© 2025 Julie C. Stamm